Di Emme replicated the Genesis Brand Cube in the Melbourne, Brisbane and Gold Coast showrooms. The illuminated cube has a lightbox in the ceiling, semi-transparent walls and an exposed base, and appears to hover or float in space.
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An exterior artwork for The Sherwood (ex-Wests Tennis Centre) based on an aerial map of Campbelltown. With Haron Robson’s lighting design the artwork is clearly visible from the train line and across the valley.
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For Clifford Chance Australian law offices, Di Emme constructed stadium-shaped aluminium frames finished in gilded aluminium with an applied patina to house five bands of tuneable LED to create themed lighting with options ranging from sedate off-white to a rainbow spectrum.
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Di Emme developed concept drawings from Turner Studio to design the custom lighting for Marcel Bistro in the five-star Pullman Penrith. The lights are comprised of steel frames in graduated sizes, fitted with wire mesh and finished with a custom-gold patina.
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Di Emme worked with Light Studio MG on a colourful lighting array for the Liverpool Catholic Club. The lighting is a clever arrangement of laser-etched acrylic blades top lit with tuneable LEDs. The laser-etched lines catch the light and reflective tape around the outside captures the illumination.
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Di Emme produced artworks and applied finishes for the reimagined Cartier Brisbane boutique with Paris providing inspiration and guidance while allowing Di Emme creative freedom.
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Di Emme created sophisticated custom lighting and a water feature for the Willowdale Hotel a modern pub on a greenfield site at the gateway to Denham Court in Sydney’s Macarthur region.
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Di Emme crafted lamps and moon-shaped lanterns from powder-coated stainless steel with UV-rated acrylic and waterproof tuneable LED strips to illuminate the Ramadan Night Markets and as an enduring acknowledgment of the local culture.
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Cartier commissioned Di Emme to create luxurious custom finishes, hand painted artworks, and distinctive column cladding to infuse the Oceania flagship store at 274 George St Sydney with the light and textures found in Australia.
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The skilled artisans at Di Emme have been giving a palatial private residence in Vaucluse in Sydney’s eastern suburbs the stucco treatment, applying standard polished plaster on the walls and ceilings throughout the main residence.
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Ceiling features can offer many benefits like concealing unsightly services, creating intimacy and cohesion, or providing interesting focal points. Di Emme are experts in creating custom ceiling features that meet the brief in aesthetics and engineering.
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Based on a concept from Electrolight, Di Emme was responsible for the design, prototyping, production, and installation of the circular lights in the Bondi Pavilion entrance foyer and the amenities area. Di Emme used stainless steel painted with Dulux Luxathene to withstand the sea air.
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Alkimi Studio designed the premium suites for Sydney’s tallest office tower at 180 George St and Di Emme created the custom pendant light for the offices on Level 33. The light has six rings with aluminium housings surrounding opal acrylic diffusers.
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Paul Kelly Design and MMX Projects undertook a major refurbishment of El Toro at Warwick Farm, commissioning Di Emme to create decorative screens, a custom light, and a water feature for the project.
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Di Emme applied a polished plaster decorative finish to the ceilings, columns, and mezzanine, and designed and manufactured a custom light feature for the vast space at 1 Castlereagh Street.
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Di Emme sculpted eight wire mesh doves in various stages of flight to soar above the communal space at the refurbished Wesley Edward Eagar Centre in Surry Hills NSW
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Di Emme produced a range of 3D elements for the Dee Why RSL sculpting, casting and finishing planters, Art Deco-inspired statue lamps, and quirky brass drinks trays.
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To build an accurate 3-tonne replica boat that could hang safely in a lobby, Di Emme worked with a structural engineer, artisan carpenters, and a veteran sailmaker who knew the old techniques.
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Di Emme fabricated the porte-cochere water feature at Dee Why RSL. Three mild-steel columns recognise Australian service personnel with inscriptions, “For those serving”, “For those returned”, “For those lost.”
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A grid of 350 MDF boxes form the dramatic Woodcut ceiling. Di Emme painted the boxes with timber cross sections and then layered fast and slow-drying paint to create the authentic scorched timber finish.
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